Numinous 32 (For Gurdjieff) Gianfranco Pezzot utilizing digital tools to develop

utilizing digital tools to develop images that trick the mind into perceiving things like movement and depth on a two-dimensional

The harmonies and tensions in the work arise from different relationships: those between the colors

she carefully applies acrylic paint into the untreated linen surface

with alternate glossy and matte layers

Each touch is intentionally counted

Numinous 32 (For Gurdjieff) Gianfranco Pezzot utilizing digital tools to developThe paintings Ostovany creates unfold over time, evolving as layers of pigment are added, washed out, covered over, scraped away, dissolved and then more layers added. With each new phase in the process the composition becomes deeper and more luminous.